Sounds like: A soft, round, warm pluck with no metallic edge.
The analog counterpart to Classic FM Pluck — a short, filtered pluck built purely from subtractive synthesis, warmer and rounder than the FM version.
Open this patch in the interactive PatchpadALGO 1 keeps this a single, plain, unmodulated carrier -- no FM edge at all, the direct counterpart to Classic FM Pluck's ALGO 8 modulator setup on this same synth. All the character comes from the FLTR page's fairly strong ENV depth pulling the cutoff shut quickly. ALGO 1 routes operator A (and B) into carrier C, so LEV (A) and LEV (B) are set to 0 on SYN page 2 and MIX is -64 (the X output, C only): that leaves C a plain, unmodulated carrier.
A very natural, idiomatic patch for Syntakt -- SY RAW's plain saw plus a fast-closing FLTR envelope is exactly the subtractive-only pluck this concept wants, no digital-machine animation needed.
the Amp Envelope is routed into FILTER's SOURCE to close the cutoff on the same fast timescale as the amplitude fade -- one envelope shapes both here since the patch doesn't need them to move independently.
Osc 1 is BasicWaves with Morph at 50 (pure sawtooth): the Morph knob runs from a square (0) through a sawtooth (50) to a double sawtooth an octave up (100), Sym only changes the pulse width below 50, and Sub adds a sine an octave down (0 here). Values are on MiniFreak's native 0-100 scale.
Very direct fit for Typhon's simple analog voice -- a plain VCO1 saw and a fast-closing filter is exactly what its front panel is built for. Clock positions describe the physically unmarked knobs; the ADSR pages use the same 0-100 convention as every other Typhon screen parameter.
LP Fat24 is the compensated ladder type -- bass content doesn't thin out as resonance rises, unlike the plain Ldr types -- which suits this patch's 'warmer and rounder' brief better than a plain ladder filter would. Envelope 1 is pre-wired to Filter 1 and Envelope 2 to Amp, so both close together on the same fast timescale.
The subtractive counterpart to Classic FM Pluck — this one translates most naturally to the analog-only synths (Syntakt, Typhon) where FM Pluck required the most compromise.