Classic Analog Saw Lead
Sounds like: A clean, bright, buzzy saw lead, the all-purpose analog sound.
Sound type: lead · Genre: House, Techno · Style: timeless single-saw analog lead tone
The baseline analog lead — one bright saw through a moderately open filter with a simple envelope. No tricks, just a clean, versatile lead that works in almost any context.
Open this patch in the interactive Patchpad
Digitone II
Exact match: WAVETONE Saw wave
SYN page 1 · WAVETONE
- TUN1: 0
- WAV1: Saw (PRIM table)
- PD1: 0
- LEV1: 100
- TUN2: 0
- WAV2: Saw (PRIM table)
- PD2: 0
- LEV2: 0
SYN page 2 · WAVETONE
- OFS1: 0
- TBL1: PRIM
- MOD: OFF
- RSET: ON
- OFS2: 0
- TBL2: PRIM
- DRIF: 8
FLTR page 1 · Multi-mode
- TYPE: 0 (LP)
- FREQ: 83
- RESO: 19
- ATK: 6
- DEC: 60
- SUS: 70
- ENV: 32
AMP page
- ATK: 6
- DEC: 50
- SUS: 95
- REL: 40
- MODE: ADSR
FX page
Digitone II's WAVETONE machine (select with FUNC+SYN). WAV1 is a real saw from the PRIM table with LEV2 at 0 and MOD OFF, so this is a real oscillator wave, not an FM stand-in.
Compared with other synths: This is the reference/baseline lead in this library -- moderate everything, nothing pushed to an extreme.
Syntakt
Exact match: Plain saw through a moderately open filter
SYN — SY RAW
FLTR PAGE 1
- TYPE: Lowpass
- FREQ: 83
- RESO: 19
- ATK: 6
- DEC: 60
- SUS: 70
- ENV: 32
AMP PAGE 1
- ATK: 6
- DEC: 50
- SUS: 95
- REL: 40
- DEL: 13
AMP PAGE 2
The most direct, native translation of this patch in the whole library -- SY RAW's plain WAV1 Saw is a literal analog-style sawtooth. AMP PAGE 2's MODE must be ADSR (the default for SY machines, but drum machines default to AHD), or SUS on AMP PAGE 1 is ignored and the sustained lead tone can't hold.
Novation Summit
Exact match: Plain saw through a moderately open filter
OSCILLATOR 1
FILTER
- SHAPE: LP
- FREQUENCY: 83
- RESONANCE: 19
- SOURCE: Mod Env 1
- ENV DEPTH: 32
MOD ENVELOPE 1
- ATTACK: 6
- DECAY: 60
- SUSTAIN: 70
AMP ENVELOPE
- ATTACK: 6
- DECAY: 50
- SUSTAIN: 95
- RELEASE: 40
EFFECTS
As simple and direct as this patch gets -- FILTER's SOURCE routes Mod Env 1 into the cutoff for a modest, musical opening.
Arturia MiniFreak
Exact match: Plain saw through a moderately open filter
OSCILLATOR
- TYPE: BasicWaves
- WAVE (Morph): 50 (pure sawtooth)
- TIMBRE (Sym): 0
- SHAPE (Sub): 0
- VOLUME: 100
ANALOG FILTER
- TYPE: Low Pass
- CUTOFF: 65
- RESONANCE: 15
- ENV/VELO: 25
ENVELOPE
- ATTACK: 5
- DECAY: 30
- SUSTAIN: 75
- RELEASE: 25
DIGITAL EFFECTS · FX1
- TYPE: Delay (Digital)
- TIME: 20
- AMOUNT (Dry/Wet): 12
Osc 1 is BasicWaves with Morph at 50 (pure sawtooth): the Morph knob runs from a square (0) through a sawtooth (50) to a double sawtooth an octave up (100), Sym only changes the pulse width below 50, and Sub adds a sine an octave down (0 here). ENV/VELO at 25 gives a mild, musical filter opening since MiniFreak has no separate filter envelope; the same Envelope shapes both amp and filter together. 0-100 scale, not 0-127. Values are on MiniFreak's native 0-100 scale.
Dreadbox Typhon
Exact match: Plain saw through a moderately open filter
FRONT PANEL
- WAVE: ~9 o'clock (VCO1 saw alone, VCO2 silent)
- CUTOFF: ~2 o'clock (fairly open)
- RESON: ~9 o'clock (low)
- EG LEVEL: ~1 o'clock (moderate filter-envelope amount)
- FILTER TIME: ~12 o'clock
- AMP TIME: ~12 o'clock
- VOLUME: ~12 o'clock
AMP ADSR
- ATTACK: 5
- DECAY: 45
- SUSTAIN: 95
- RELEASE: 35
Very natural fit for Typhon's straightforward analog voice -- a plain saw through a moderately open filter is exactly what this synth does well. Typhon's front-panel knobs are physically unmarked, so those values are clock positions, not percentages.
ASM Hydrasynth Desktop
Exact match: Plain saw through a moderately open filter
OSCILLATOR 1
FILTER 1
- TYPE: LP Ldr12
- CUTOFF: 83.0
- RESONANCE: 19.0
- ENV 1 AMOUNT: 32
ENVELOPE 1
- ATTACK: 5 ms
- DECAY: 180 ms
- SUSTAIN: 70.0
ENVELOPE 2
- ATTACK: 5 ms
- DECAY: 150 ms
- SUSTAIN: 95.0
- RELEASE: 120 ms
DELAY
- TYPE: Basic Stereo
- DRY/WET: 12%
Envelope 1 (pre-wired to Filter 1) and Envelope 2 (pre-wired to Amp) are independent real modules here, so a moderate opening on the filter and a fuller sustain on the amp can be dialed in separately rather than sharing one shape.
How the synths compare
The reference/baseline lead in this library — useful starting point to modify into any of the more specific lead patches elsewhere.
Patchpad is a free reference of drum patterns and synth patches written for real hardware: Digitakt II, Digitone II, Syntakt, Novation Summit, Arturia MiniFreak, Dreadbox Typhon and ASM Hydrasynth Desktop.