Sounds like: A soft, dull, palm-muted pluck, as if wrapped in a cloth.
A soft, damped pluck — filtered well below its full brightness with a gentler attack than the other plucks in this library, reading as muted or palm-damped rather than sharply struck.
Open this patch in the interactive PatchpadALGO 1's plain, unmodulated carrier keeps this dark and simple -- FREQ well below the other plucks in the library (38, roughly 30% of range) reads as filtered well below full brightness, and the small non-zero ATK on both AMP and FLTR softens the transient into a muted/palm-damped feel rather than a sharp pick. ALGO 1 routes operator A (and B) into carrier C, so LEV (A) and LEV (B) are set to 0 on SYN page 2 and MIX is -64 (the X output, C only): that leaves C a plain, unmodulated carrier.
SY RAW's Triangle keeps the harmonic content gentle. FREQ dark (38) plus a small non-zero ATK on both the filter and amp envelopes gives the muted, palm-damped attack this patch wants.
Triangle plus a dark cutoff and a small non-zero Attack (6, not 0) softens the transient for a muted, palm-damped feel rather than a sharply plucked one.
Osc 1 is SuperWave used as a clean triangle: Detune and the copies' volume are both 0, so it is a single triangle wave. The darkest, softest pluck in the library -- a useful contrast to Classic FM Pluck and Digital Glassy Pluck's brightness. The Envelope's gentle Attack (4) also softens the filter's own opening via ANALOG FILTER's ENV/VELO 15 above, matching the amp's soft entry. Values are on MiniFreak's native 0-100 scale.
The dark CUTOFF position plus a small, deliberately non-zero ATTACK stage on both ADSR pages gives the soft, muted entry this patch wants, rather than the instant snap most other plucks in this library use. Front-panel knobs are physically unmarked, so WAVE/CUTOFF/RESON/EG LEVEL/FILTER TIME/AMP TIME are described by clock position, not a percentage.
The darkest, softest pluck in the library -- a useful contrast to Classic FM Pluck and Digital Glassy Pluck's brightness. Envelope 1 (pre-wired to Filter 1) and Envelope 2 (pre-wired to Amp) share the same small non-zero Attack (5ms) for the muted, palm-damped entry.
The darkest, softest pluck in the library — a useful contrast to Classic FM Pluck and Digital Glassy Pluck's brightness.