| Instrument | Steps (1 = start of the bar) | Velocity | Timing and chance |
|---|---|---|---|
| kick | 1, 5, 9, 13, 17, 21, 25, 29 | 125 | on the grid, always plays |
| perc1 | 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32 | 55-85 | on the grid, always plays |
| perc3 | 2, 3, 6, 10, 11, 14, 16, 18, 19, 22, 26, 27, 30, 32 | 85 | on the grid, always plays |
| hat-open | 3, 7, 11, 15, 19, 23, 27, 31 | 85 | on the grid, always plays |
| clap | 5, 13, 21, 29 | 105 | on the grid, always plays |
| perc2 | 24, 26, 29, 31 | 85 | on the grid, always plays |
Early-1990s Eurodisco at 126 BPM. The steps follow the MIDI grids in Attack Magazine's breakdown of an early-1990s Eurodisco beat: a 909 kick on every beat, a shortened open hat on each offbeat, a 909 clap on 2 and 4 in a room reverb, a processed tambourine on every step and a woodblock figure that repeats each bar. The high conga only comes in at bar 2, which gives the two bars a different weight. Swing stays at 50%. It is a beat in that style, not a transcription of any track.