| Instrument | Steps (1 = start of the bar) | Velocity | Timing and chance |
|---|---|---|---|
| kick | 1, 9 | 120 | on the grid, always plays |
| perc2 | 2 | 40 | step 2: late by about 8% of a step, plays 60% of the time |
| hat-closed | 3, 4, 7, 10, 11, 14, 15 | 50-85 | step 3: late by about 4% of a step; step 4: late by about 8% of a step, plays 70% of the time; step 7: late by about 4% of a step; step 10: late by about 8% of a step, plays 70% of the time; step 11: late by about 4% of a step; step 14: late by about 8% of a step, plays 70% of the time; step 15: late by about 4% of a step |
| clap | 5, 13, 15 | 55-112 | step 15: late by about 12% of a step, plays 55% of the time |
| perc1 | 6, 12 | 45-48 | step 6: late by about 8% of a step, plays 75% of the time; step 12: early by about 8% of a step, plays 65% of the time |
| hat-open | 8, 16 | 75-78 | step 8: plays 85% of the time; step 16: plays 85% of the time |
A driving four-on-floor bass-house foundation (heavy kick on every downbeat, backbeat clap) carrying a busier, lightly-swung 16th-note hat layer for UK-garage-adjacent motion, plus a sparse, syncopated glassy percussion accent (glass 1/glass 2) for melodic texture, and one syncopated ghost clap for extra energy. See each device's hardware notes for how to give the kick sub-level low-end weight without a dedicated sub track. An original pattern in the spirit of modern bass house, not a transcription of any specific released track.